|
Research.
Read and study everything you can find on the subject and pay special
attention to the works of the classic masters. Dont exclude
the wealth of information available in either sport fencing or the
modern Asian martial arts. But dont forget that to question,
doubt, and inquire is part of our Western heritage.
Practice hard and often. Although its
a cliche, the three most important things in gaining true skill
with the sword are: practice, practice, practice! Also, there is really
no substitute for proper instruction. For instance, find a good, qualified
coach for collegiate fencing and/or kenjutsu stay long enough to actually
learn how to fence. Dont treat it as a short term activity.
But remember, what they teach in the sport fencing form today is not
the historical reality. Whether or not such instruction is available,
there are still numerous exercises, drills and routines that should
be followed according the counsel of the historic Masters of Defence.
Some suggestions for Medieval
Sword Training:
- practice using both
single-hand and two-hand grips (i.e., sword and long-sword/bastard-sword)
- practice use and coordination of a round shield, kite shield,
and heater shield
- practice cuts and strikes (for proper delivery, angle, flow, and
recovery)
- practice full-contact strikes at a fixed soft-target or pell (for
power and focus)
- practice steps & footwork
- practice controlled strikes and cuts at a fixed and mobile target
- practice parry & riposte combinations with and without a partner
- practice use and coordination of an off-hand dagger
- conduct contact sparring with safe, padded weapons (or wooden
weapons and proper armor protection)
- spar at full speed with intent
- spar at half-speed with exaggerated, casual intent
- spar without verbal comment or instruction
- spar by alternating offense only/defense only
- practice with a single sword alone without any buckler or dagger
- practice against (and with) pole-weapons,
- practice against and with great-swords, two-handed swords, and
the single sword alone
- practice routines using a historically accurate replica blade
- conduct test-cutting with a sharp live-blade (to understand how
its really functions)
- do some aerobic exercise for stamina
- do some form of weight training for strength
Some suggestions for Renaissance
Cut & Thrust Sword Training:
- practice cuts and strikes
(for proper delivery, angle, flow, and recover)
- practice steps & footwork
- practice parry & riposte combinations with and without a partner
- practice use and coordination of a 2nd weapon (i.e., buckler,
dagger)
- practice full-contact strikes at a fixed soft-target or pell (for
power and focus)
- practice controlled strikes and cuts at a fixed and mobile target
- conduct contact sparring with safe, padded weapons (or wooden
weapons and proper armor protection)
- Spar at full speed with intent
- Spar at half-speed with exaggerated, casual intent
- Spar without verbal comment or instruction
- Spar by alternating offense only/defense only
- practice with a single sword alone without any buckler or dagger
- practice against (and with) pole-weapons and larger shields
- practice routines with a historically accurate replica
- conduct test-cutting with a live-blade (to understand how its
supposed to work)
- do some aerobic exercise for stamina
- do some form of weight training for strength
- practice rapier fencing
Some rudimentary suggestions
for Rapier Fencing Training:
- practice thrusts
- practice footwork (for speed, agility, and mobility)
- practice lunges and recovering
- practice point-control at a fixed target
- practice parry & riposte combinations with and without a partner
(to gain coordination and reflexes)
- train with and without a second-hand weapon (dagger, buckler,
etc.)
- practice with the sword held in the opposite hand
- practice with single dagger against single dagger, and against
rapier & dagger
- practice routines with a historically accurate replica
- conduct constant sparring (the only way to learn timing, perception,
proper movement and feedback)
- Spar at full speed with intent
- Spar at half-speed with exaggerated, casual intent
- Spar without verbal comment or instruction
- Spar by alternating offense only/defense only
- do some aerobic exercise for stamina
- do some form of weight training for strength
- practice cut & thrust swordsmanship
There is something to consider
when acquiring sparring partners. Finding opponents who equally match
ones particular level of ability can be difficult. Quite often
they are either noticeably superior or inferior. Though one may practice
with individuals with whom you are better than and can readily defeat,
it is important not to allow yourself to become lax. We must resist
the feeling to fight softer or to quit trying in an effort to somehow
make things "more interesting and challenging". This attitude
not only does a disservice to your true skills, but also to your sparring
partner by not offering them an honest test. Practice like this surely
leads to bad habits and weakens ones edge. This is not to say
that when facing those you are truly superior to that one should always
crush and overwhelm them. Not at all. For in those cases you obviously
need to teach and instruct without diminishing an individual or breaking
their spirit. On the other hand, if one faces partners against whom
you are soundly beaten, one must avoid the urge to view it entirely
in terms of simply something we failed to do or entirely in terms
of something the opponent did. This is not useful. Victory or defeat
is always a matter of that which we do or fail to do, in combination
with that which an adversary did or failed to do. Sometimes the two
are indistinguishable.
Swordsmanship,
as with most martial-arts, is a path not a destination. Keep in mind
that while there are certain universal concepts of fighting (i.e.,
perception, distance, timing, technique, attitude), every form of
weapon use or method of swordsmanship has its own historical context.
No one style or form should not be viewed as an end-all, be-all, ultimate
method. There really is no "best sword" or "best weapon".
It is as much mental (psychological) as physical. Above all should
be the realization that when this activity is treated as a historical
fighting art, it takes discipline and physical conditioning. It does
not work well with a light-hearted, romanticized, weekend past-time
approach. It is a true martial-art and really should be treated as
such. If you come to feel inadequate or lacking in skill during your
learning and training, this is a good sign for it means you are honestly
recognizing you could be better and that there is more to higher skill
than you yet know. The desire to improve is a further step down the
path. Now get off your PC and go fight!
A good training program should
include a wide varity of activities. It is important to develop physical
attributes, technical skill and mental abilities. This page will give
you some ideas on how to achieve this. It is about training methods
not fighting techniques themselves. The bottom line is practice, practice,
practice.
Test Cutting
Anyone claiming to be a serious
swordsman who has never used sharp weapons at length on solid test-targets
is bogus. It is vitally important to training and takes consdierbael
practice. Practice cutting must be done on a regular basis to sharpen
your skills. It also prevents improper techniques from developing.
Many groups today can be seen using ridiculus cuts that would not
work with real weapons on real targets. These bad techniques develop
and become popular because the poor rules and training encourage their
use. An effective practice cutting regimine would include at least
weekly sessions. The practitioner should practice all of their cuts
on a variety of targets. Stick to the basic cuts at first untill they
are mastered. Recommended targets include: bamboo, fresh tree saplings
wrapped in wet staw or wet cardboard, thick cardboard tubes, soaked
in water or dry, thick rope, thick plant fiber, raw meat and bone,
and scrap armor or helmets. When starting out, simple targets like
plastic soda bottles, water or milk jugs, and foam noodles (sold as
pool toys) are useful. Be especially carefull and take things slow.
This takes practice as it can be a very hazardous activity.
Solo Drills
This is great for developing
skill and technique. It can be done with real weapons or sparring
weapons. Use care with real weapons. It is easy to hit yourself when
trying new techniques. If done with vigor it can be a great workout.
It can be done with or without targets. For sparring weapons use punching
bags. Or build your own target out of bungee cords, duct tape, and
paper (E-mail Todd Palmer for details). Videotape your sessions to
spot flaws. Twice a week for an hour should be sufficient to improve
your skill.
Free-Play / Sparring
There
is nothing like the real thing. However the real thing is illegal
and something to be avoided. So the next best thing will do: fighting
against opponents with a safe sparring system. How you go about this
is very important though. Every sparring system has strengths and
weaknesses. Each system emphasizes a different aspect of combat. The
important thing to know is what those strengths and weaknesses are.
Then use a variety of systems to give yourself balance.
Sharps - ("real
weapons")
No you can't really spar with real and sharpened
weapons. But it is possible to face off with a trusted partner and
make incomplete attacks and blocks at very slow speed. This will
give you an appreciation for the feel and effort real weapons demand
and the damage sharp edges can suffer under improper technique.
Be sure to wear heavy gloves or gauntlets.
Blunts (not stage
weapons, not props, not "wall-hangers")
An unsharpened historically accurate replica
sword. With blunted weapons it is possible to make slow, controlled,
light contact on restricted target areas.There are available some
blunted weapons especially designed for reeinactment combat or staged-fighting,
but avoid these as they are typically too thick, heavy, and incorrectly
balanced.
Wooden weapons
(wasters)
Wooden weapons can be used faster and harder
than blunted weapons depending on the amount of control, armor and
targets. They have a more realistic feel than padded weapons but
require more restrictions on technique. Wooden weapons should be
made with a destinctive edge (i.e., flattened instead of round)
and have a realistic weight. The farther you get away from historical
weapons the more likely you are to learn bad habits.
Padded weapons
The best thing about padded weapons is that
you can have very agressive fights between fighters without armor,
with armor, or a combination of both. This media allows for the
largest amount of target areas and legal techniques and still be
safe.
These are not the same things
as "boffer weapons" used by live role playing groups which
amount to little more than PVC pipe in pipe insulation wrapped with
duct tape. These weapons are too light, too flexible and often have
no discernable edges. The ARMA sparring weapons described on these
pages are realistically weighted and balanced, have rigid cores,
and have discernable edges.
Flexi-Rapiers and Replica
Rapiers
Flexible rapier
simulators are now available that offer longer tapering blades of
diamond, lozenge, or hexagonal cross-section. While they are
often still too whippy they are ideal for rapier fencing.
A historically accurate replica rapier, vital for general practice,
is also useful for light-contact free-play provided the point is
completely blunt and padded.
"Schlager"
blades
For learning how to use rapiers, schlager
blades are useful as substitutes for replicas. Although they are
too flexible and "whippy" most of the time they are often
far better than modern fencing foils or epees, which are unrealistc
for simulating the longer, heavier, and wider rapier.
Cross
Training
Getting in good physical shape
by swordsmanship alone is very difficult. For those who prefer other
methods here are some ideas about the benifits of other activities.
...Practice, practice, practice.
Rating
of Training Methods for Building Fighting Attributes
| |
Physical
|
Mental
|
|
"Higher
is Better"
|
S
t
r
e
n
g
t
h
|
E
n
d
u
r
a
n
c
e
|
S
p
e
e
d
|
W
e
i
g
h
t
|
F
l
e
x
i
b
i
l
i
t
y
|
B
a
l
a
n
c
e
|
R
e
p
e
r
t
o
i
r
e
|
E
x
p
e
r
i
e
n
c
e
|
E
d
u
c
a
t
i
o
n
|
P
e
r
c
e
p
t
i
o
n
|
A
t
t
i
t
u
d
e
|
|
Free-Play/Sparring
|
4
|
3
|
4
|
3
|
2
|
4
|
5
|
5
|
3
|
4
|
5
|
|
Solo
Practice
|
4
|
4
|
4
|
4
|
2
|
4
|
5
|
4
|
2
|
2
|
3
|
|
Traditional
Sport Fencing
|
3
|
3
|
5
|
3
|
3
|
5
|
4
|
4
|
1
|
3
|
4
|
|
Practicing
Historical Fencing
|
1
|
1
|
1
|
1
|
1
|
1
|
2
|
4
|
5
|
5
|
2
|
|
Instructing
Historical Fencing
|
2
|
2
|
3
|
1
|
2
|
3
|
4
|
4
|
5
|
4
|
3
|
|
Observing
Fighting
|
0
|
0
|
0
|
0
|
0
|
0
|
0
|
3
|
3
|
5
|
2
|
|
Reading/Writing
Fighting
|
0
|
0
|
0
|
0
|
0
|
0
|
0
|
0
|
4
|
0
|
1
|
|
Swimming
|
4
|
5
|
3
|
5
|
2
|
2
|
0
|
0
|
0
|
0
|
2
|
|
Running
|
3
|
5
|
2
|
5
|
2
|
2
|
0
|
0
|
0
|
0
|
2
|
|
Weight
Lifting
|
5
|
2
|
1
|
2
|
1
|
1
|
0
|
0
|
0
|
0
|
1
|
|
Hiking
|
2
|
3
|
2
|
4
|
2
|
2
|
0
|
0
|
0
|
0
|
1
|
|
Biking
|
2
|
4
|
2
|
4
|
2
|
2
|
0
|
0
|
0
|
0
|
2
|
|
Aerobics
|
3
|
5
|
3
|
5
|
4
|
4
|
0
|
0
|
0
|
1
|
2
|
|
Stretching
|
1
|
1
|
2
|
0
|
5
|
5
|
0
|
0
|
0
|
0
|
0
|
More information
is available in the Member's section area on Training featuring
material on content, structure, equipment, and organization, plus
conducting practices & classes.
|